Rawi Hage's short story collection Stray Dogs captures snapshots of the lives of people on the move

RawiHage was once asked by a journalist for the Irish Times what his first name means in Arabic it means storyteller.

Hage isthe Lebanese-born, Montreal-based author of acclaimed novelsDe Niro's Game,which won the International Dublin Literary Award in 2008;Cockroach,which received the Hugh MacLennan Prize for fiction andwas defended by Samantha Bee onCanada Readsin 2014andBeirut Hellfire Society.

His new book, Stray Dogs, is a collection of short stories with characters who shift allegiances, countries and beliefs as they remake their identities.

• The CBC Books fall reading list: 30 Canadian books to read now

Stray Dogsis on the2022 Scotiabank Giller Prize shortlist.The winner will be announced on Nov. 7, 2022.

Rawi Hagespoke to Shelagh Rogersabout writing Stray Dogs.

Characters on the move

"Most of the characters, they tend to be wanderers maybe stray people. Also, I think that Stray People would be an adequate title. It'sjust about a certain non-belonging. Most are either wanderers in their own mind or wanderers geographically. Just like stray dogs, theytend not to have places to host them or take care of them.

Just like stray dogs, they they tend not to have places to host them or take care of them.

"One of the characters, Samir, is like many people who left the Middle East from a certaingeneration. He's living in the States and encounters academia, photography, art, etc. His choices of studies is not approved by his family. They were expecting himto become an engineer or adhere to certain traditional conservative norms. But he strays and becomes anacademic interested in photography. He was very attracted to the aesthetics of Japanese photography, which is a contrast between darkshadows and very bright light. It's very much about contrast.

"I think Samir made a comparison between his own culture, which tends to be, in his own perception, very gaudy, very flamboyant to a certain extent and Japanese photography, which is all so austere.

"It's a complex story with many fragments to it. But there's alsoa theological discussion about the image and whatthe image represents in the Arabic culture."

• Rawi Hage on the reasons writing is a form of personal freedom

Shifting class dynamics

"Lebanon at one point was very prosperous, and the story Mother, Mother, Motheris basicallyabout class.War is an egalitarian thing that'smaybe a controversial thing to say especially civil war. I think whatcivil wars do is that they change the fabric of society. And I think to a certain extent, it allows the poor to take power.I've witnessed it. I've seen it.

I think whatcivil wars do is that they change the fabric of society.

"When I grew up, I saw how the middle class and the rich left,which then generated a totally new class that took power. The story talks about that, but it's also about about how women in certain societiestreatwomen from a different class."

• Rawi Hage ponders death, war and the nature of mourning in the novel Beirut Hellfire Society

Caughtbetween worlds

"I still do photography, but I don't show it. I studied photography andI come from visual art background. But I was also was one of those people who were caught between a technological revolution. Digital photography came and swept everything when I was doing film, and I couldn't update myself. Technology was expensive to start with. I didn't have the money at the timeand I didn't have the technological skills to understand it. I was one of those people who fell between the cracks.

"But my love for photography stayed. More and more, I'm becoming a historian of photography. I read certain histories aboutthe relationship between photography and culture and power, etc. I try to express this in the form of short stories. And I think that's whatthebook's about. It's about photography, of a certain era.

I read certain histories aboutthe relationship between photography and culture and power, etc.

"In all these stories, I try to give a statement about technology andaesthetics. It's the nature of photography. Photography in a certain way, touched every possible social commentary or utilitarian technological use. That's why I'm fascinated by that medium. It's reallya medium that has no identity, no unity. And unfortunately, I think now the trajectory of photography, like many things, ends up in capitalism. Even somebody's image became a commodity. Photography became appropriated by consumerism and capitalism and technology on a very superficial level."

Rawi Hage's comments have been edited for length and clarity.