Tragic 1996 ascent of Everest transformed into art by Calgary Opera

This one might be the first opera to have characters swathed in Gore-Tex and puffer jackets.

A night at the opera conjurs images of women in peril, dressed exquisitely, and a cast that sings their feelings on sumptuous sets that transport audiences to exotic locales and quite frequently, different centuries.

The Calgary Opera, which has earned a reputationover the past two decades, of being among the moreadventurous of Canadianopera houses, might have lost their legendary musical directorBob McPhee to retirement a few years back, but they've lost none oftheir willingness to test the boundaries of operatic storytelling with their newproduction, Everest.

The show opens Feb.2 at the Jubilee Auditorium.

Rather than mining the health problems of tragic 18th century heroineswho usually end upsacrificinglife for love, Everest will pull the audience up into the metaphorical clouds andallow them to experience a musical simulation of the most famous mountain in the world.

A mountain which also happens to belittered with the frozen bodies of climbers who didn't make it down.

For Everestassistant director Kristen Barrett, the fact that Everest is an adventure opera it follows the same story covered inthe books Into Thin Air and Left for Deadset atop a mountain, doesn't make it any less operatic than La Boheme or La Traviata.

"It's a natural drama pulled straight from real life," Barrett said, in an interview Thursday with The Homestretch.

She said it alsostruggles with a lot of the same questions typical of traditional operas.

"It's a very emotional landscape. Every person climbing the mountain has their own very personal reasons for doing so, for pitting themselves against this incredible mountain and risking their lives," she said.

"They all know going into it that they're risking their lives and yet they decide to do it anyway."

A tragedy

Into Thin Airtold the story of an ill-fated 1996 ascent of Everest that ended with eight dead, and questions being asked about the invasion ofinexperienced adventure tourists on an unforgiving terrain.

For Everest,librettist Gene Scheer spent hours interviewing some of the survivors.

"This was an absolute tragedy. Eight people lost their lives on that mountain. Even the survivors have have suffered as a result of it," Barrett said.

"Dr. Beck Weathers, who's a character in the show, lost his right hand and was terribly disfigured by frostbite."

But, Barrett said it's also a tale of his remarkable survival against every odd.

"He was left for dead on that mountain and somehow came down alive and thrives now."

A new beginning

Everest arrives at the same time a new administrative team takes over the company. TheCalgary Opera announced in Augustthat its new General Director and CEO, Keith Cerny, would departin early January 2019, one year after he was brought in to lead the company.

In mid-November, Cerny was replaced by a two-headed team consisting of veteran arts executive Heather Kitchen (Managing Director and CEO), and Grammy and Juno Award winning conductor and composer Bramwell Tovey (Artistic Director), a classical music superstar who just spent 18 years as the musical director the Vancouver Symphony Orchestra.

Toveyspoke to the Calgary Eyeopener Thursday morning about taking over the artistic journey of the Calgary Opera, where he collaborated on a number of projects with McPhee, who retired in 2017.

"Working for an opera company is not easy," Tovey said,"Because you're persuading people all the time that this is an art form that's relevant, that speaks to the narrative of every human being in the city. And that's actually a challenge that I'm relishing."

As far as Everest goes, Toveysaidit's a natural fit for an opera company based in Calgary.

"It's a story which actually is pretty gripping for those of us who live here in the foothills of the Rockies and whether you were in Vancouver or whether you're in Calgary, that mountain experience is never very far away," he said.

"What Everest the opera does that the movies can't, is take an outdoor adventure and explore it internally."

Tovey said the story is about not only climbing Everest, but what'sactually what's going on internally inthe climber's mind as they get closer to thesummit.

"It's a very, very powerful piece," he said."I can really recommend it."

With files from The Homestretch and the Calgary Eyeopener

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