Lights, camera, COVID compliance: How film, TV sets tackle pandemic shoot safety

It's Josh Van Altenberg'sjob to make sure cast and crew are following all the COVID-19rules on set. So when he saw two people talking close together, he swooped in to remind them to stay apart.

Turns out they were father and son, filmingtogether. Awkward for Van Altenberg, he still had to askthem to physically distance themselves.

"I had to explain to them when they are in the workplace, they have to demonstrate the proper way to be at all times even though they are in a family bubble," he said. "The three of us had a good laugh about it."

Van Altenberg is typically a paramedic on film and TV sets around Toronto. The pandemic has expanded the scope of his job. He's now also responsible for on set COVID-19 compliance, a crucial new role in the industry.

That means performing temperature checks, enforcing physical distancing,making sure people are wearing proper personal protective equipment, washing hands andsanitizingoftenno matter how famous they may be.

"I actually have no fear of having the same conversation with a big name star who'sflown in from L.A. to film a movie as I would a production assistant," he said.

"COVID doesn't care what tax bracket we're in."

Feels safest on set

On Van Altenberg's sets, masks aremandatory, even outdoors. Actors are only allowed to take off their masks just before shooting starts, and they go right back on after a scene cuts.

Sheri Sutherland of Reel Medics In Motion, a fleet of film medics who are also now doing COVID compliance, is not worried about getting sick on set, given all these new rules, even though she has three young children and her mother to think about.

"Everybody's being tested in between once or three times a week," she said. "One of the safest places I feel these days is at work."

If someone does get sick on set, they would be isolated immediately. Productions are being advised to track where people havebeen and who they may have worked with.That way, parts of the set can be deep cleaned and others told to isolate if necessary.

Sutherland saideverybody has been good at following the rules so far.

"They know what they have to do to get back to work and stay in work and not having anything shut us down," she said.

No more 'zigging and zagging'

Ontario's film and TV industrywas boomingprior to the pandemic. Days before the mid-March lockdown, the province was toutinghow 2019 was a record year, with an estimated$2.16 billion in production spending.

But the spread of the virushalted most productionsfor months and put thousands out of work.

• After months of quiet on all sets, Toronto's film industry is back in action

Scott Thom, a carpenter working on productions in Sudbury, Ont., sits on the executive of his local union, representingfilm technicians in northern Ontario and Ottawa. He helped craft the framework to get the industry back to work and thinks these new rules will help them keep working.

"It's a little difficult to try and get your head around. We're so used to just all blending and zigging and zagging in and out of the workspace," he said.

Sets are usually packed with people, which is exactly whathas to be avoided as much as possible now.

Trying to keep people apart is hard. Some productions have implemented pods, limiting how many people are working with one another. Other aspects like the art department can be handledoff site.

There's no shortage of work to be done. Production has resumed on series like Kim's Convenience,Murdoch Mysteriesand Guillermo del Toro's film Nightmare Alleywith Bradley Cooper and Cate Blanchett. Thom predictsthe next few weeks will be busier than any other year in Ontario's industry.

"So many projects are stacked up and ready to go," he said.