Not gone, and not forgotten cassette tapes are back in Hamilton

It used to be the number one choice for themusician on a budget.

Falling in place between the nostalgia of vinyl's heyday and the digital revolutionof the past 20 years, the cassettetape stood as the underdog of music formats, easily accessible yet objectively hindered by quality loss and temperamental function.And like most 'dead' formats these days,they canusuallyfoundin the dust of attics, garage sales and goodwill shops, doomed to remain relics in light of the next big thing.

But over the past few years, an unlikely resurgence has been underway,with artists and musicians around the world looking back to the cassette as a means of self-expression. Tape-based record labels are more plentiful than ever, and operating worldwide.

In Hamilton, tapes are a viable alternative that letsartistspublishtheir work without the overhead costs of CD or record pressings.

Local labels like Perdu, Cloud Valley, HAVN Records and Barton Street Tapes help foster a collaborative scene, controlling every step from creation to production and distribution.

"I think people who like tapes are those who like collecting physical objects," said Aaron Hutchinson, co-owner of experimental venue HAVN and it's offshootHAVN Records. "They occupy physical space and require some amount effort to listen to, which forces investment from a listener."

I chose the name Barton Street because it's a place that gets shunned and looked down on by a lot of people.The music and noise that I've released on mylabel reflects that same feeling.- NateIvanco

"As a musician it makes me feel that my art is being engaged with in a meaningful way. It's not always a good way of selling music though, and we have a vast number of unsold tapes because the format is so inaccessible."

Listen below: "Marion, Beamer Falls" by Eschaton of their 2014 tape '',one of many fluid collaborations between HAVN members.The song featuresAaron Hutchinson ondrums, electronics, and trumpet,Connor Bennett onbass andsaxophone,Connor Olthuisonbass andMatt Tavaresonkeys andguitar.

"It's eye opening to see the number of bands that use tapes as a medium for their music," added co-owner ConnorBennett. "It can sometimes be seen as exclusive or pretentious, but I think of it more as an affirmation or statement regarding the unconventionality of the music and those involved. I think the comfort of the sound and physical aesthetics plays a role too."

Artistic freedom

Though the vinyl resurgence of the past few years has been widelyacknowledged, the market for tapes remains underground, in part due to the quality factor. While audiophiles can discuss the merits of vinyl 'warmth' and others can wax poetic on the nostalgia of an old record, no one would jump to defend cassettes.

The music, too, is aseparationpoint.The majority ofartists and labels using tapes workinexperimentalgenressuch as ambient, drone, or noise music,characterized by alack of traditional song structure and a willingnessto explore the extremes of convention and self-expression.

Through working with a low-cost medium, artists are granted total freedom to produce the work they want,connecting and distributing tapes across global channels without need for traditional record labels or outsourced distribution.

Scott Johnson is one of the most well-known ambient artists in Hamilton. In addition to performingunder the solo moniker Thoughts On Air, he runs Cloud Valley, a label with countless releases fromhis own projects and those of other like-minded artists.

"I grew up on cassettes," said Johnson. "I've been jamming and experimenting with all types of equipment and setups for years before Cloud Valley was born. Now it's just in my DNA."

Listen below: "RaynaShine" by Thoughts On Air, a song with a somewhat stronger pop influence than some of his other works.Released digitally in2014.

"CD-Rsto me have seemed to have lost their appeal, and records are insanely expensive to make due to the universal appeal from a lot of self sustained musicians," he continued.

"I've met hundreds upon hundreds of tape artistappreciatorsand makers over about 10 years through promoting my tapes and exploring others. It's addictive, and I absolutely love the idea of having taped sound on records and on streams."

'Small like it should be'

NateIvanco,another memberofHamilton's tape scene, says that experimental musicis a long-running and continually vital area in the city.

A member of numerous local bands,including Coke Jaw, Snake Charmer and Marion,Ivancoalsoruns Barton Street Tapes and

Noise Night, a monthly eventfor like-minded artists to collaborate in a receptive environment.

"I chose the name Barton Street because it's a place that gets shunned and looked down on by a lot of people.The music and noise that I've released on mylabel reflects that same feeling. I'm never going to release something for TheArkellsor anything like that, nor would they ever want me to do so."

Listen below: "Draining" off 'The Bathtub' tapeby Marion, Ivanco's solo noise project. Based around the sound of a bathtub being drained of water, manipulated byoverloading the tape recorder's microphone into extreme distortion.

Overall, Hamilton's tape culture is the type of community able to thrive simply on the enthusiasm and participation of its members, without the need for outside assistance that limits so many other creative ventures.

"Hamilton's scene is small like it should be,"Ivancosaid. "I don't think we've ever had more than20-ishpeople at a Noise Night, butit's really cool when they stay and enjoy it. I hear things like "I didn't know Hamilton had a noise scene" and before you know it that person is playing within the next month or two."

"I think we're all chameleons," Johnson reflected. "I've mostly felt categorized as one of the main 'out there' performers, but greatly appreciated and supported by friends, promoters and audiences. Hamilton's scene has always had support involved that keep outside the box expressionists afloat and attended to."