Residential school abuses told in Royal Winnipeg Ballet performance

In one scene, a young residential school student receives crippling blows from a clergyman.In another, he is brutally strapped.His classmate later has her long hair sheared off.

This is part of what viewers will see whenGoing Home Star Truth and Reconciliationdebutsat the Royal Winnipeg Balleton Wednesday.

Although ballet is often known for its delicacy, this new work will also include scenes of historical abuse and violence.

"At first I was a little nervous how is a company that is non-aboriginal going to tell an aboriginal story?" saidJoseph Boyden, who wrote the ballet's story. He is also the author ofThree Day Road, Through Black Spruce andThe Orenda.

Boydenadmits he initially had to wrap his head around telling a First Nations story through an art form that he says has a reputation for being bourgeois and Western.

"I started watching some of the classics and just the gorgeous simplicity of human movement on a stage to tell a story,whether it is beautiful or painful,"Boyden said.

The ballet opens with Annie, an indigenous woman living in the city.She meets Gordon, a homeless man, in a subway, who was forced into a residential school as a child.The two travel back in the past to witness the abuse of other First Nations children.

Boyden says it was important to craft a story based both in the past and present.

"The average viewer will be able to see that this is something that still exists," Boyden said.

The Royal Winnipeg Ballet is celebrating its 75th anniversary this year. Artistic director Andr Lewis says this production is grounded in the belief that art can create social change.

"I hope people will be touched.They will understand better the situation that did happen," saidLewis.

There are no aboriginal dancers in the cast, butactor and former member of Parliament Tina Keeper was involved in the production as an associate producer.She also brought in Polaris Music Prize-winning Inukthroat singer Tanya Tagaq and Steve Wood and the Northern Cree Singers.

Members of the ballet company heard survivor stories, had conversations with elders and Truth and Reconciliation commissioners, and participated in a sweat lodge.

Manitoba Justice Murray Sinclair, chair of the national Truth and Reconciliation Commission, says he hopes residential school stories can also be explored in other settings, including opera and symphony.

"Theartisticcommunity has a way of connecting with people at a visceral level that we think is veryimportant," he said.

Boyden hopes people leave feeling optimistic after seeing Going Home Star.

"My work tends to end on positive note, it tends to end on a redemptive note," he said."I think this ballet is no different. It really is about redemption and healing."

Going Home Star Truth and Reconciliationruns at Winnipeg's Centennial Concert Hall fromOct. 1 - 5.