Freeze frame: Film uses century-old footage dug up from within Yukon permafrost

New York filmmaker Bill Morrison says the existence ofhis new film is nothing less thana miracle.

Dawson City: Frozen Time is a feature-length documentary whose raw material was literally dug up from within the permafrost, dusted off, and assembled like amuseum's wooly mammoth skeleton to tell a story about lost time.

It's been a century in the making, and next week the film will receive its North American premiere at the prestigious New York Film Festival.

"It's such a singular story," Morrison said.

It starts in the 1920s, when the fading, gold-rush town was theend of the road for movies and newsreels sent from down south to screen at Dawson's cinema.

Hundreds of film reels silent films, travelogues were never sent back south, and so were simply burned or tossed into the Yukon River for years after the end of the gold rush.

A large collection of the reelswas also used as fill in an oldswimming pool that became a hockey rink.That's the footage that was discovered by work crews in 1978 after beingsealed in permafrost andpreserved for 50 years. And that's what Morrisonused for his documentary.

"They became an inadvertent preservation project," he said.

"They're the only copies that exist of any of these filmsanywhere. All the other copies everywhere else were burned up, or were thrown away.

"It's really quite a miracle."

150 kilometres of film

In all, there are 533 film reels, with 150 kilometres of film and 106 hours of footage. They're now housed at Library and Archives Canada in Ottawa, and the U.S. Library of Congress.

Morrison's documentary uses the restored films to trace the story of Dawson City,the First Nations people who hunted and fished in the area, the mining boomtown that displaced them in the late 1890s,("an invasive culture that was woefully misplaced in its new environment and even more woefully unaware of its trespasses," according to Morrison), and the town's post-gold-rush evolution.

"To tease out the themes that were already suggested in the story and the newsreels and narratives that were found in the swimming pool it was an enormous project," Morrison said.

"The transformation of the land in Dawson City corresponded to the transformation of cinema throughout the world, and so we make a very close correlation between cinema history and Dawson City history."

The first motion picture was made in 1895. A year later, Dawson City was founded.

'We had tears in our eyes'

Morrison eagerly gives ample credit for his film to two Yukon historians,Michael and Kathy Gates. They helped salvage the films from the dirtback in 1978.

They also helped Morrison get a handle on the wealth of material.

"None of us would know about this project if it wasn't for them it was their seeing what was there, and that it was important, and that it needed to be saved, and there was an opportunity to save it."

The Gates' will join Morrison at the New York premiere, though they've already seen the film. They couldn't be happier or more amazed with the result.

"We both had tears in our eyes, we were both 'thumbs up,'" Kathy Gates said.

Kathy's highlight was seeing moving footage from a 1925 travelogue that shows Chief Isaac, the influential Tr'ondk Hwch'in leader who died in 1932.

For Michael, it was seeing footage of Front Street in Dawson City, taken in 1898, at the height of the Klondike gold rush.

"When I saw that, it sent shivers down my spine," he said.

Memory is short

For Morrison, it's a profound relief to be able to finally show the film he's been working on and talking aboutfor years. He's been amazed at how few people remember the story about the film reels' discovery in 1978.

He says when he was a young film student in the 1980s, it was still "resonating through the film world."

"Now, when I talk to even film archivists people deeply in the world, who happen to be younger than me none of them have heard of this story."

ToMorrison,it's a reminder that memory is short, stories are lost, and history can be repeated.

"For me, you only come across a film story like this once in a lifetime," he wrote in a Director's Statement for the New York Festival.

"It is my Titanic. It is a perfect distillation of the 20th century."