Stratford Festival tackles gender by casting women in lead male roles

For the first time ever on the Stratford Festival's main stage, twowomen will playmale lead roles.

But the opening night performance of The Tempest was cancelled after the festival received a bomb threat.

• Stratford Festival opening night cancelled following bomb threat, theatres evacuated

When the play does open, Martha Henry, arguably one of Canada's most esteemed theatre actors,will be playing Prospero. For Henry, now 80, thatmeans that instead of her career being over, she's now performing the role of a lifetime.

Henry's first roleat Stratfordwas in1962 and it was The Tempest, too. She appeared as Miranda opposite William Hutt in the lead as Prospero. Now she's come full circle, playingProsperoas a woman, andmother,opposite the young MamieZwettlerasher daughter Miranda.

Henry says playing a male lead rolewould "never have entered her head." In fact, her first reaction when artistic directorAntoniCimolinosuggested it to her was to say no.

She'd played all the major female roles that Shakespeare hadto offer, and none of his major roles were for older women.

"So I kind of thought, well that's it for me," she said. "That's the end of my acting career. And thenAntonicame up with this idea."

'If it scares you, then you have to do it:' Martha Henry takes on The Tempest

6 years ago

Duration 2:38

Martha Henry and Stratford Festival head Antoni Cimolino on putting the celebrated, veteran actor onstage as Prospero in The Tempest.

So why did she relent?

"I thought, now listen," she said."This scares you, doesn't it? And I had to admit that yes, this scares me quite a lot. And then I thought,'Well then if it scares you, well then you have to do it.'"

In a year with unprecedented attention being paid to gender parity, thanks partly to the #MeTooandTime'sUpmovements, one of Canada's largest theatre companiesthe very traditional Stratford Festival is exploring new ways to stay relevant.

With freedom as the theme of the festival this year,The Tempestis not the only major play exploring sexual freedom through casting with gender fluidity.

The only other Shakespearean production onthe Festival Theatre stage will see Seana McKennacast as Julius Caesar, where,in this case, she'll be playing him as a man.The actors playing Cassius and Mark Antony are also women.

McKenna played Richard III in 2011 on the smaller third stage at Stratford, and also recently playedLearin Toronto she has been a trailblazer in unlocking male roles for female actors, but this is also her first chance toplay alead male roleon Stratford's main stage.

She said it's both a smart way to increase roles for women in a classical repertory theatre company, andan important way to stay relevant.

"Oh I think it's a very lively conversation right now. So many plays are doing this kind of casting and we've just sort of become part of that zeitgeist really," she said.

Seeing women in positions of power on stage, in roles traditionally given to men, also sendsan important message, she said.

"We're just blurring the edges of gender. We're saying these are roles and characters first. Maybe gender is secondary," she adds.

Getting audiencesto think more openlyabout gender isa sentimentCimolino echoes.

"Theatre has to be something that enables us to feel the world differently, see the world differently and maybe the next day, behave a little differently," he said.

The gender bending goes even further with a studio production of The Comedy of Errors. The show features gender fluiditywith all of its casting.

DirectorKeiraLoughrancast her two sets of identical twinsas a man and a woman, while a man plays thecourtesan role.

She drew inspiration in part from the androgynousstylings of 80s musicians Prince and David Bowie for her costumes, with an eye to keeping things of the moment.

Loughransaid it's important to her that a wide variety of people be able to see themselves in Stratford's productions, something she wasn't able to do herself as a young actor at the festival, fifteen seasons ago, although she loved performing there.

"I did struggle to find productions that I saw myself in,"she said. "But I think we're still pretty early in figuring out ways to let more diverse people see themselves in production."

She says her goal is to open hearts and minds, "and to challenge people in a way that's open and curious."She knows thatin a diverse community, some people will be challengedbyher approach.

"That's how culture, I think, grows," she said. "I think it's more about getting more people excited by that challenge. And I hope we do it in an entertaining way because the show's a lot of fun," she adds.

Cimolinopoints out that in an era that didn't allow women on stage, Shakespeare was theexpert atgender fluidity, casting boys in roles as girls, who then disguised themselvesas boys.

"After a while the realities blend and you don't care whether it's left or right or up or down," he said.

"There's a truth that's deeper than gender. A truth that's deeper than identity. There's something quite essential about what it means to be human," he adds.

The season openingproduction of The Tempest will go ahead at all planned later datesThe Comedy of Errors opens June 1 and has just been extended into October, while Julius Caesar opensAug. 16.