Attawapiskat musician builds recording studio in shipping container

Since March 2020, Cree musician AdrianSutherland has been isolated with his family in Attawapiskat, a remote First Nation on James Bay, without the resources to professionally record music.

That is, until now.

Over the course of the pandemic, Sutherlandtransformed an old shipping container into a recording studio, which he's called SeaCan Studio.

"There hasn't been anything like this here before," said Sutherland, who is a singer/songwriter and the front-man and founder of the band Midnight Shine.

Sutherland spent last fall constructing the studioin a metal shipping container, also known as a sea can,located in his backyard. He said it took about a week to finish the interior of the container with drywall and wood panelling, primarily on his own with the help of a few neighbours.

Sutherland is also using a section of the container tostore items for others in the community.

Paul Wesley, an electrician from the community, installed the wiring and panels required to run lights, heating and recording gear. Wesley said he appreciated Sutherland's creative concept for the container.

"They're usually just used for storage, sopeople were coming to see what we were doing. It's a fresh idea," he said.

Wesley said community members had been tossing around other ideas for outfitting containers for living at camps in the bush, and thathe was even considering it for his own family's camp.

Wesley said folks innorthern communities like Attawapiskathave always needed to beresourceful when it comes to housing infrastructureandstorage.

Sutherland has been working on his debut solo album, which is slated for release in September.

He said recording this album has been different than any he's worked on in the past because he was working remotely, while also learning how to edit and use music software.

"I've been able to actually take the time to learn all this stuff because nobody else is going to do it for me," he said.

"You're learning about how to do all the tracking and the mixing and learning about mastering and everything in between."

Previously, Sutherland was teaching music at a local school. He's hoping to havelocal youth use the studio in the future once the pandemic has ended.

"There's a couple of younger men in the community that have expressed interest," he said.

"There are plans for me to revisit how I can engage with young people again in terms of doing music."

Creative spaces

David McLeod, a radio broadcasting executive and member of Pine Creek First Nation in Manitoba, said projects like SeaCan studio can have positive impacts for Indigenous artists navigating or looking to enterthe Canadian music industry.

As is the case with mostartists, he said, the subjectmatter of Indigenous artists' music isinspired by their communities andtheir geographicterritories.

"I think that we're at a point where [audiences and music executives] are looking for a different sound, looking for new messages," McLeod said.

"[SeaCan Studio] is an example of resilience at a community level and also an example of how Indigenous music is thriving. People are making it happen."

McLeod, who is also the executive producer ofthe syndicated Indigenoustop-40 programIndigenous Music Countdown,said he thinks many mainstreamCanadian music executivesmaylook at facilities in northern communities and believe producing high-end sound is impossible.

"But the proof is there when you press play on that track and thatsound, the music starts."